Kate Cox — Behind The Sun (2024) — Acrylic on Canvas — 100 cm x 76 cm

$3,650.00

Kate Cox — Behind The Sun (2024) — Acrylic on Canvas — 100 cm x 76 cm

*Note: This artwork is currently unframed. Upon purchase, the work will be custom framed in a Tasmanian Oak float frame, in the client’s choice of finish: either natural waxed, black, white or walnut. Artwork price includes framing.

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This is an original work by Kate Cox, from her ‘Daily Distractions, Part I’ series.

View other works in this collection here.

Artist CV is available on request.

Authenticity certificate is provided.

This artwork is in Queensland.

Price does not include freight / shipping - shipping will be billed separately to the artwork purchase. Once you’ve made your selection and procured your artwork, Gallery Rayé will be in touch to confirm your shipping preferences, and to organise shipping quotes for you.

Please do get in touch if you have any questions or would like to view additional images of this work - we would be delighted to assist!

Kate Cox, a New Zealand-born abstract painter, grew up in the seaside suburbs of Auckland. Her family recently relocated to Kerikeri in the Bay of Islands. She now lives in a 100-year-old character-filled country villa, where she can balance family life and her professional art practice. Kate worked in commercial interiors in Auckland and London after earning a Bachelor of Design. While working, she pursued her passion of becoming a professional artist through the completion of fine art courses with mentoring. She currently paints full-time and is most recognised for her large abstract paintings and abstract landscapes. She has been a finalist for the Walker and Hall Waiheke Art Award and the Estuary Art and Ecology Award.

“Acrylic paint, pastel, and oil stick on canvas are the primary mediums of my work. Loose, linear markings and washes are combined with delicate and bold painterly marks taken from palettes or directly from the tube. A variety of tools including brushes, scrapers, rags and my hands are utilised. Mark making is complete when the canvas is struck with fast intent and takes on a life of its own. The idea is to produce a surface of marks, colour, texture, and forms that result in a seamless, undetectable balancing act.” - Kate Cox